10,000 Dreams Film Festival

Season 2025-2026

10,000 Dreams

In 2021, while many American dance companies still had never hired an Asian choreographer, Phil Chan, Georgina Pazcoguin, and Jessica Tong launched the 10,000 Dreams Virtual Choreographic Festival to spotlight a different Asian American choreographer each day during the month of May (Asian American and Pacific Islander Heritage Month) to spotlight these underrepresented voices. From this first festival, five choreographic commissions to major American ballet companies were offered to festival artists (four of which went to female-identifying individuals), cementing the importance of film in sharing our community's choreographic talents and getting professional opportunities in the 21st-century dance ecosystem.

The festival continues to expand through added opportunities under Co-Directors Jesse Obremski and Jie-Hung Connie Shiau, who have collectively worked with companies such as A.I.M by Kyle Abraham, Alvin Ailey American Dance Theater, Gibney Company, Hubbard Street Dance Chicago, Lar Lubovitch Dance Company, Limón Dance Company, and presented films at Dance on Camera Film Festival, The Kennedy Center, Lincoln Center, and the London International Web & Shorts Film Festival (UK). The festival's mission is to provide visibility and support for Asian American creatives working with dance on camera.

The 10,000 Dreams Film Festival will have a virtual presentation in June 2026. Stay tuned for announcements on when and where the Film Festival and added Arts and Advocacy Workshops will be touring. The Commissioned Dreamer will have the full season of the program (July 1st, 2025 - June 30th, 2026) to create their proposed film, and their dance film will be added to the 2026-2027 Film Festival Touring Program.

Introducing the 2025 - 2026 10,000 Dreams film Festival selections

  • Directed by Jiemin Yang

    A dance film that tells an untold personal story. WO 我 is autobiographical short dance film that explores identity and delves into the intergenerational conflicts of queer Chinese American immigrant dancer navigating life and self-discovery in New York City.

  • Direction, Choreography, Performance, Sound design, Video editing by Tomo Sone

    Through the pandemic, we remembered how vital is the connection between people. Performing arts expanded its value and possibilities beyond the theater. It is important that the performers on stage will not only become central figures but also feel the world, move forward, and bring about change with the audience. This durational installation - performance attempts to fuse contemporary dance with digital technology, AR, in a traditional Japanese Noh theater, where the audience spins their own story by using AR. It is a work that makes us think about the reality, the unreality, the unknown, and the invisible world that spread outside the theater and considers the situation in which human beings are placed.

  • Directed by Tsai-Hsi Hung

    Jia-Mei Barber Shop, where this work was filmed, is a traditional Taiwanese barber shop. In fact, my mother owns the shop in the film and this dance explores memories of my childhood. Celebrating the past, in the neighborhood that I grew up in - New Taipei City.

  • Concept by Elisabeth Roskopf 이지영

    Directed and Choreography by Li Chiao-Ping

    Directed and choreographed by Li Chiao-Ping, 결코 잃지 않았다 (Never Lost) is an 11-minute dance film shot en route to and on location in South Korea, during dancer and adoptee Elisabeth (O’Keefe) Roskopf’s first trip to her birthplace since adoption took her away out of her home country. Featuring personal unscripted narration, choreography, and poetic landscapes, “Never Lost” witnesses and captures the body in between, in search, and in the moment of facing the challenges of reclaiming self and identity, as well as familial and cultural histories. With cinematography and editing by Christal Wagner, this is Li and Wagner’s third screendance project together and their second with Elisabeth Roskopf.

  • Directed by Audrey Chou

    Impulse was born from the sheer passion and desire to create. As a dancer, I often experience a complex, calm, yet explosive feeling that I strive to express through my body and movement. Impulse embodies this desire—a deep longing to dance. Filming in Taipei, my hometown, the project also serves as both a greeting and a farewell to its nature and cityscape, where the familiar and unfamiliar converge.

  • Directed by RJ Muna

    Choreography by Mia J. Chong

    In a brilliant white void, “Sonder” explores the multifaceted lives of passersby through individual and collective expression. “Sonder” references the sensation of realizing every person you encounter is living a life as complex and vivid as your own. Through abstract swirls of interlocking gestures and fluid athleticism, the dancers explore moments of epiphany and exchange. Directed by RJ Muna, choreographed by Mia J. Chong, and produced by EIGHT/MOVES.

  • Directed by Audrey Baran

    Short dance film exploring sensations of confinement and release created through internal and environmental challenges.

  • Directed by Donna Weng Friedman

    Never Fade Away is the story of how a young Chinese immigrant escapes his homeland in the 1940s, comes to this country with nothing but his hopes and dreams, and how a radio and a waltz change his life.

  • Directed by Kaili Che

    STITCHING CHANGE is a dance short film that unravels the intricate systems of overconsumption and environmental impact within the textile industry. It invites audiences to reflect on the choices that shape our world and envision new ways of coexisting with the land and each other.

  • Direction by Jenna Del Monte Zavrel

    Transmigration is a film that explores the concept of reincarnation and the possibility of recognition of a loved one in the afterlife.

  • Dance, Concept, Choreography by Preethi Ramaprasad

    Directed by Joanna Ruckman

    Yours, Tenderly, is Preethi Ramaprasad’s site specific homage to untold south Asian histories in the Tenderloin of San Francisco. In this screendance film lullaby, Preethi embodies the endurance of mothers in immigrant lineages. Her unique dance style draws from her training in Bharatanatyam traditions. Directed by Joanna Ruckman.

    “While crafting a narrative centered around inexorable hope in the face of so many institutional and systemic challenges, I found myself dancing to my daughter, inspired by generations of immigrant communities supporting each other.” - Preethi Ramaprasad

Application Information

The 2025 - 2026 Application is now closed


  • CHOREOGRAPHY AWARD ($1000 CASH PRIZE)

  • PERFORMANCE AWARD ($1000 CASH PRIZE)

  • 2 HONORABLE MENTIONS ACKNOWLEDGING DIRECTION, CHOREOGRAPHY, CINEMATOGRAPHY, COSTUME DESIGN, AND ORIGINAL COMPOSITION RESPECTIVELY

Awards and Prizes:

The Performance Award and the Choreography Award will be granted in July 2026 after the in-person program touring and virtual program screenings. Each awardee will receive $1,000 and an additional year of the Gold Standard Arts Foundation’s Membership for their awarded film submission.

  • Gold Standard Arts Foundation 10,000 Dreams Film Festival 2025-2026 "Official Selection" Laurel.

Rules, Eligibility, and Notes for Submissions:

  • At least one principal creative artist (director, choreographer, and/or performer) must be of Asian and/or Pacific Islander identity living in North America (Canada and The United States). Their work needs to be clearly represented in the dance film. Please note that having more Asian and/or Pacific Islander presence as a part of your film supports your submission.

  • Each submission must be no longer than 20 minutes (credits included).

  • There is no age or artistic expression limitation.

  • All dance films of any genre and physical language are accepted.

  • Dance films should have been filmed after January 1st, 2020.

  • An individual may submit more than one film. In doing so, the $25 submission fee is still required per submission.

  • Submission fees are nonrefundable and must be paid at the time of submitting your film. Please note your paid submission fee grants you one (1) year of the Gold Standard Arts Foundation’s Membership.

  • Individuals submitting must have copyright permissions for all submitted media and art connected to their film. Additionally, they must be able to demonstrate these rights upon request. By submitting, individuals understand they may be addressed when it comes to the rights of their submitted film(s) and guarantees to Gold Standard Arts Foundation that they have all of the rights and permissions for their film submission.

  • All submissions must be downloadable and sent through Vimeo, YouTube, or Google Drive.

  • The NEW film submission deadline is March 31, 2025 at 11:59pm EST.

  • For additional questions, please contact info@goldstandardarts.org at GSAF.

$25 per film submission. Multiple film submissions are welcome. 

Your first $25 Submission Fee will grant you an annual membership to Gold Standard Arts Foundation’s Membership which includes:

  • Access to creative connections within our Asian creative database — find collaborators and be considered for opportunities.

  • Access to programming, workshops, and other community events — grow your practice and increase your impact.

  • Supporting the organizing of a community hub for the Asian dance community — expand your network and be a part of a larger force for equity.

Submission Fee:

Meet the 2025-2026 Jury panelists

  • NICK HARTANTO

    FILMMAKER

    Nick Hartanto is an Indonesian-American filmmaker based in New York. His short film, “The Dishwasher,” which he co-directed, was awarded a Special Jury Mention at Tribeca 2019 and was then acquired by HBO Max. Also a skilled Cinematographer, he shot the Adult Swim series “Hot Package.“ He was recently a guest speaker at the Asian American Arts Alliance Film & Media Town Hall and is currently touring festivals with his new film, "Daly City,” which was nominated for the Oscar qualifying Best Short Narrative Award at the Hawai'i International and Woodstock Film Festival.

  • JENNIFER LIN

    JOURNALIST, AUTHOR, FILMMAKER

    Jennifer Lin made a career pivot into filmmaking a decade ago. She had worked at The Philadelphia Inquirer for 31 years, including stints as a correspondent in Beijing, New York and Washington, D.C. Jennifer’s first documentary was Beethoven in Beijing about the China legacy of the Philadelphia Orchestra, which, in 1973, became the first American orchestra to perform in the People’s Republic. The project received support from the National Endowment for the Humanities and was a finalist for the Library of Congress/Lavine Ken Burns Prize for Film. In 2021, Beethoven in Beijing premiered nationally on PBS’s Great Performances.

    Carving out a specialty in the classical arts, Jennifer worked with producers Jon Funabiki and Cory Lin Stieg to spotlight the lost history of an Asian dance pioneer in the award-winning short documentary, Ten Times Better. The project, which was featured in The New York Times, uncovers the lost story of George Lee, an 89-year-old blackjack dealer in Las Vegas with an unheralded place in ballet and Broadway history. As a teenage refugee from Shanghai, George originated the Tea dance in George Balanchine’s 1954 premiere of The Nutcracker for the New York City Ballet. The film premiered at Lincoln Center’s Dance on Camera film festival in 2024 and received funding from the Center for Asian American Media. Jennifer’s current project is About Face, which elevates the work of dancers Phil Chan and Georgina Pazcoguin, the activists behind the Final Bow for Yellowface movement. The feature-length film examines how an art form created hundreds of years ago for the entertainment of kings and queens remains relevant for more diverse audiences today. The producing team expects to release the film in 2025.

    In addition to filmmaking, Jennifer has written two books: a family memoir, Shanghai Faithful: Betrayal & Forgiveness in a Chinese Christian Family (Rowman & Littlefield, 2017), and an oral history of the Philadelphia Orchestra in China, Beethoven in Beijing: Stories from the Philadelphia Orchestra’s historic journey to China (Temple U. Press, 2022).

  • JESSE OBREMSKI

    CO-DIRECTOR, CHOREOGRAPHER

    Jesse Obremski (he/they) is a Japanese-American artist, a native of New York City, who began his studies at The Ailey School, studied at Jacob’s Pillow and Springboard Danse Montreal, and is a graduate of The Fiorello H. LaGuardia High School and The Juilliard School. He joined the Lar Lubovitch Dance Company at the age of 19 and has since then worked with Helen Simoneau Dance, Peter Stathas Dance, WHITE WAVE, Kate Weare Company, Jacob’s Pillow Men’s Dancers: The Ted Shawn Legacy, Brian Brooks Moving Company, The Limón Dance Company (soloist and principal), Gibney Company, and is currently with the Alvin Ailey American Dance Theater (since 2024).

    He is a sought-after educator and speaker, and has restaged José Limón’s work at MOVE|NYC|, The University of Wyoming, and has assisted Limón restagings at The Juilliard School (2015-2018). Obremski is the movement director and choreographer for the musical duo, The Sound of Aja, and a collaborator with The BringAbout. He is the recipient of the Asian American Arts Alliance’s 2016 Jadin Wong Award, is an Eagle Scout Rank recipient, has been mentioned in the NYTimes, NY1, and was named Dance Magazine's March 2019 Dancer "On The Rise". Obremski was the Associate Executive Director of Earl Mosley’s Diversity of Dance (EMDOD) (2022-2023), after serving on it’s Board for four years. In 2018, he founded Obremski/Works, which has been presented internationally, notably The Kennedy Center and Lincoln Center, with an all-AAPI contemporary dance company and AAPI Support Fellowships. Obremski's choreographic works have been presented across the United States, Canada, Czech Republic, Turkey, Germany, Japan, China, and Malaysia by Gibney Company, Buglisi Dance Theatre, Brigham Young University, EMDOD, and Obremski/Works among others.

    Obremski is very excited to partner with Jie-Hung Connie Shiau and join the Gold Standard Arts Foundation team as a Co-Director in this festival toward Asian American support and community building!

  • LIZ SARGENT

    PRODUCER, FILM DIRECTOR, WRITER

    Liz Sargent is a Korean-American adoptee and award-winning filmmaker whose work delves into adoption, disability, and family dynamics. With a background in choreography, she brings emotional depth to her storytelling, shaped by her experience as the middle child of eleven in an intersectional family.

    A two-time NY EMMY winner (2020 & 2021), Liz is also a HALF Initiative Mentee (2022 & 2023), an MSSNG PCES AICP Mentee (2023), and NBCU's Launch Director (2024-2026). Her debut narrative short, Strangers' Reunion (2019), produced by Ritz-Carlton and Hearst under the mentorship of Mike Figgis, was an adoptee reunion film released in six languages worldwide.

    Her proof of concept, Take Me Home, premiered at Sundance (2023), won the Grand Jury Prize at American Cinematheque's PROOF FF (2024), and was the centerpiece at the White House to celebrate the 25th Anniversary of the Olmstead Act, where Liz and her sister, the film’s star, shared their stories with key officials. Take Me Home screened at over 50 festivals with distribution on PBS, Kanopy, Swiss & French TV stations and a limited run on Delta Airlines. The feature script won an SFFILM Rainin grant (2023) and was a finalist for the Humanitas New Voices Fellowship and the Lynn Shelton Grant.

    Liz incorporates her background as a choreographer trained at North Carolina School of the Arts into her commercial and experimental work. The national 360 FEMA spot was created with AdCouncil & TDWandCo focusing on unique Asian American diasporas. The short film SLOW DOWN: River To River was broadcast on PBS and won a NY Emmy. Experimental dance film collaborations include work with Pam Tanowitz and Fisher Center at Bard, Eiko Otake and Jacob’s Pillow, and Adrienne Westwood and Angelica Negron. 

  • JIE-HUNG CONNIE SHIAU

    CO-DIRECTOR, CHOREOGRAPHER

    Jie-Hung Connie Shiau is a Taiwanese choreographer, dancer, and teacher. Shiau has presented works at Hubbard Street Dance Chicago’s 43rd virtual season, New Choreographer Project in Taipei, Taiwan, Loyola University, Hubbard Street Dance Chicago summer intensives, SUNY Purchase College, Little Island Dance Festival, Agnes Varis Performing Arts Center, Arts On Site, Abrons Arts Center and Summer For The City at Lincoln Center.

    Shiau has worked as a collaborator with an array of companies, including Hubbard Street Dance Chicago, AIM by Kyle Abraham, Gallim Dance, Helen Simoneau Danse, MeenMoves, Adam Barruch/Anatomiae Occultii, Kevin Wynn Works, and Obremski/Works. She has performed works by Crystal Pite, Ohad Naharin, Lou Conte, Kyle Abraham, Johan Inger, Twyla Tharp, Brian Brooks, Peter Chu, Robyn Mineko Williams, Sharone Eyal, Fernando Melo, Alejandro Cerrudo, Helen Simoneau, Sameena Mitta, Rena Butler, Spencer Theberge, Jermaine Spivey, Out Innerspace Dance Theatre, Alice Klock, Hanna Kiel, Osnel Delgado, Adam Barruch, Jesse Obremski and the late Kevin Wynn.

    In addition, Shiau was a recipient of Chicago Dancemaker Forum Greenhouse Artist in 2019, Dance Magazine’s “25 To Watch” in 2018, Honorable Mention for Jadin Wong Award for Emerging Asian American Dancer in 2014, and Reverb Dance Festival Dancer Award in 2014. Her dance film Greener Grass was a semi-finalist in the London International Web & Shorts Film Festival in 2021. Shiau was the leading female dancer in Huang Ruo’s opera, Angel Island, which premiered at BAM Harvey in January 2024.

    Shiau is currently a freelancer based in New York City and is an Artistic Associate with Gibney Company. Shiau is excited to partner with Jesse Obremski and join the Gold Standard Arts Foundation team as a co-director at the 10,000 Dreams Film Festival.

“What began with a mission to update the classical canon — most notably the section of “The Nutcracker” known as “Tea” — has since blossomed into a larger platform celebrating Asian dancers and choreographers.”

— THE NEW YORK TIMES ON THE 10,000 DREAMS CHOREOGRAPHIC FESTIVAL

FAQs

  • Yes

  • We are looking to highlight Asian and/or Pacific Islander performers, directors, and choreographers. If the Asian producer has produced a film with at least one of the principal creative artists (director, choreographer, and performer), then yes.